Adelina Gina was born on May 16, 1948 in Tirana, Albania. After graduating in Albanian language and literature from the State University of Tirana in 1970, Mrs. Gina worked as a journalist for the newspaper “The Teacher” until 1976, at which time she was fired for her strong political beliefs. Afterwards for many years she worked as a literature teacher in Ismail Qemali High School in Tirana. The screening of her play “Someone Came” in 1972 was stopped by the Albanian government because it was considered to be “modern and subversive.” Her book, “Where is my brother?” was published for the first time in Albanian in the United States, by Kurti Publishing in 2002. Mrs. Adelina Gina has published periodically on the arts and culture in various newspapers. She currently lives in the United States.
From the Back Cover
"Sister," the soldier said, "it's best if we go, don't you think?" I only heard: "Sister..." and I came to my senses. My brother used to call me sister jokingly. I hugged the soldier, placed my head on his shoulder, and cried. "You will be okay," he managed to say. Those words, under any other circumstance, would have made me laugh because they didn't really go with the occasion, but the soldier was in shock and saying those words made him feel better. He said it as if I had endured a sickness, and not a loss of life. I smiled at them between my tears, gave them my hand and we climbed up to the road. Climbing up was even harder than coming down; the soil was very slippery and the bushes were itchy. It was hot. It was 15 of August, 1976.
I highly recommend this book to whoever is interested in reading a compelling story about totalitarian regimes, secret services and the dangers of an artistic life during that time. This book is also a window to Albanian culture, traditions and student life in the 1970-80's.
A very painful and fascinating true story, situated in Albania, an Eastern European communist country. The book gives an insight on how people in that time were controlled by the secret service and how frightening the totalitarian regime was. The main character, Shpetim, was a young and gifted artist. He wanted to express something different and innovative with his writing. However, he faced bitter consequences from the instruments of a regime that suppressed creativity and closed the lid on freedom of expression. Shpetim's theatrical plays and documentaries were not open to the public due to their liberalistic ideas. Shpetim was a very courageous and honest writer, who was very open with his thoughts. His life ended abruptly at the young age of twenty-two. His death raised many unanswered questions and left his family disconsolated.
Ms. Gina, has an impressive way of telling the story. Her fluid narrative draws a very vivid picture of places and characters of that time. Ms. Gina's attractive way of telling the story, combined with her spiritual and emotional dimension, makes this book very special and unique.
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"Where Is My Brother?" is a very personal and fascinating autobiographical account of life in Communist Albania in the 1970s. The story centers around the relationship between the author and her brother, Shpetim, who inexplicably disappeared in August, 1974, reported dead from a drowning accident. This report, however, appears frought with holes and slippery, ever-changing accounts of what really happened, leaving the author with little consolation and supreme doubt of the actual event. Her search for the truth then begins in a time and place where truth has become a lost commodity.
Mrs. Gina has a deeply poetic sense, giving us fractured images of Albanian family life 30 years ago, adolescent memories, the world of the arts, and of course, the heavy hand of Communism and all the secrecy and horrors it entails. The writing is always honest, clearly spoken from the author's heart, and very moving, a story that ends far too soon for the reader, and one, I'm afraid, that ended far too soon for the author as well.
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Where is My Brother? is part memoir, part unsolved mystery. Ms. Gina tells the story of one family's experiences in totalitarian Albania. The story is told in a straightforward manner, as though one is sitting in Ms. Gina's living room hearing her relate the tale. The language of the story in translation compellingly invokes the cadences and thought patterns of the original language.
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